Sunday, December 27, 2015

3.0 The characteristics of selfie among different culture

What are the differences in selfie characteristics in different cultures? What are the information that can be derived by designers to aid their work?

 The characteristics of selfie among different countries/ culture/ generation/ gender:


1) From many mobile phone applications introduced by China, I realized Chinese tend to favour big eyes, slim jawline, smooth and fair skin. These selfie applications are normally combined with photo editing functions. It is a common feature in famous Chinese applications like Meitu, Camera 360 and Pitu to have liquify, eye enlarging, skin whitening functions. Now China's social networks are buzzing about Primo, a Japanese app that claims to undo edited selfies to reveal what people really look like. Perhaps people are sick of being deceived by 'unreal' selfies anymore. Besides mobile phone applications, there is one gadget that has garnered rave reviews in Asia- selfie camera. Japanese company Casio is particularly famous for its TR series. This kind of camera exceeds what normal digital cameras do, the lens, frame and monitor can be rotated, allowing various shooting angles. They are also equipped with make up mode for enhancing skin quality and tone, high resolution to capture images so detailed that every eyelash and hair of the subject can be seen. High-brightness LED light is included too, an alternative for taking photos under low-light or back light conditions. The light helps to bring out the beauty of the eyes in selfies.
(Casio, 2014) 

This video below is about Xiaxue, a famous Singaporaean blogger, enthusing over her selfie camera. (3.37-4.30)
 
(Clicknetwork, 2015)


2) Another research that was conducted by a group of German researchers indicated that selfies were more gendered compared to advertisements. 500 random selfies with hashtag #selfie were collected over Instagram, half of men and half of women. These photos are then compared to German magazine cover such as Cosmo and Men’s Health. Results are as shown in picture below:

 

Selfies in the imbalance and loss of control category exhibited more gender-stereotypical behavior among all categories. Imbalance here refers to turning head to one side, and sorority squat- one or more people slightly bending their knees and leaning on their calves with their arms regardless of whether or not people are behind them in the photo. While loss of control in the research refers to an exaggerated display of emotion like laughing very happily or hugging a friend tightly. Men are typically seen posing in a more controlled manner. (Mayyasi, A 2015)


3) In Selfiecity, a project that analyzes 3,200 selfies from 5 cities- Berlin, New York, Moscow, Bangkok & Sao Paulo, discovered that women more often look up at the camera (men look down) and have more exaggerated poses and facial expressions. Women take the majority (65%) of selfies among teenagers and people aged twenty something. But among older individuals, men take more selfies, which mirrors Hollywood’s obsession with young women and older men. (Selfiecity, 2014)



Reference:

Doland, A. (2015). Is Asia Setting the Trends on Selfies?. AdvertisingAge, [online]. Available at: http://adage.com/article/global-news/asia-world-s-trend-setter-selfies/296191/ [Accessed 18 Jan. 2016.] 

Casio, (2014). Casio Releases Next-Generation EXILIM TR Camera Made Especially for Capturing Stunning Self-Portrait. [online] Available at: http://www.casio-intl.com/asia-mea/en/news/2014/tr50/ [Accessed 18 Jan. 2016.] 

Clicknetwork. (2015). Things I Cant Live Without - Xiaxue's Guide To Life: EP161 [Video]. Available at: https://www.youtube.com/watch?v=g6tS9En5Y0o [Accessed 18 Jan. 2016.] 

Mayyasi, A. (2015). The Selfie: A Window into our Sexist Souls. Priceconomics [online]. Available at: http://priceonomics.com/the-selfie-a-window-into-our-sexist-souls/ [Accessed 18 Jan. 2016.] 

Selfiecity. (2014). Investigating the style of self-portraits (selfies) in five cities across the world. [online] Available at: http://selfiecity.net/ [Accessed 18 Jan. 2016.]



Saturday, December 26, 2015

2.0 What is selfie? The history of of selfie.

According to the Oxford Dictionaries, the 2013 word of the year was “selfie”, which Oxford defines as “a photograph that one has taken of oneself, typically one taken with a smartphone or webcam and uploaded to a social media website.” (BBC News, 2013)

The word 'selfie' is so ubiquitous in social media. But do we call any picture of ourselves a selfie? Does it require an arm or a selfie stick to be seen in a picture? In my opinion, not necessarily. A selfie allows people to see how they will look on a picture before it is being captured. It can be purposely staged or posed to their satisfaction. It is not the same when somebody else takes a picture of you where you might already have an idea of how you want to pose, but unable to see how you really look like when the picture is being captured even though it can also be taken again for many times to your satisfaction. I think it is considered as a self-portrait rather then a selfie. In short, selfie and self-portrait are two separate, although at times overlapping, efforts at establishing a definition of one self.


The history of selfie:

In Internet culture class, selfie is related to self-portrait done by painters in early ages. Back in 18th century, self-portraits, whether drawn, painted or sculpted, were mostly commissioned by the wealthy people- royalty and nobility. They are a symbol of status. In the mid 19th century, the attitudes about humanity following the Age of Reason combined with the social upheavals fueled by the Industrial Revolution brought the activity of painting into the homes of the middle class. The working class and the poor were painted to serve as a political statement at that time. Vincent Van Gogh's collection of self-portraits places him among the most prolific self-portraitists of all time. He used portrait painting as a method of introspection, a method to make money and a method of developing his skills as an artist.

In 1827, Joseph Nicephore Niepce made the first photographic image with a camera obscura but it was meant for viewing and drawing purposes. It requires eight hours of light exposure to create a photograph. Louis Daguerre in the late 1830s developed a more convenient and effective method of photography- daguerrotype. Portraits were the most commonly produced type of photographs in the first decades of photography, comprising an estimated of 95% of surviving daguerreotypes. In 1990's, computer-based electronic cameras became increasingly available. The invention of Z1010, first cell phone with front-facing camera by Sony Ericsson in 2003 made selfie even more popular and handy. More and more cell phone companies follow suit by introducing more advanced front camera. Applications like Instagram that provides a platform for photo sharing creates another peak in selfie culture.

All in all, it is safe to say that technology is what gave rise to selfie. It has became so abundant and different from the purposes back then. The greatest difference of self-portraits in the past and selfies nowadays is that selfie is inherently replaceable. It also indirectly means that people nowadays can have more versatile online identity.



References:

BBC News, (2013). 'Selfie' named by Oxford Dictionaries as word of 2013. [online] Available at: http://www.bbc.com/news/uk-24992393 [Accessed 18 Jan.2016].

Van Gogh Gallery, (2002). Self-Portraits. [online] Available at: http://www.vangoghgallery.com/misc/selfportrait.html [Accessed 18 Jan.2016].

Rawlings, K. (2013). Selfies and the History of  Self-Portrait Photography. [blog]OUPblog. Available at: http://blog.oup.com/2013/11/selfies-history-self-portrait-photography/ [Accessed 18 Jan.2016].


Selfies and the history of self-portrait photography - See more at: http://blog.oup.com/2013/11/selfies-history-self-portrait-photography/#sthash.a0JO9Gpr.dpuf
Selfies and the history of self-portrait photography - See more at: http://blog.oup.com/2013/11/selfies-history-self-portrait-photography/#sthash.a0JO9Gpr.dpuf

The self-portrait and the selfie are two separate, though at times overlapping, efforts at establishing and embellishing a definition of one’s self. - See more at: http://blogs.getty.edu/iris/whats-the-difference-between-a-selfie-and-a-self-portrait/#sthash.re7rHBB1.dpuf

The self-portrait and the selfie are two separate, though at times overlapping, efforts at establishing and embellishing a definition of one’s self. - See more at: http://blogs.getty.edu/iris/whats-the-difference-between-a-selfie-and-a-self-portrait/#sthash.re7rHBB1.dpuf
The self-portrait and the selfie are two separate, though at times overlapping, efforts at establishing and embellishing a definition of one’s self. - See more at: http://blogs.getty.edu/iris/whats-the-difference-between-a-selfie-and-a-self-portrait/#sthash.re7rHBB1.dpuf

Friday, December 25, 2015

1.0 Selected Question

6. Identify a form of digital culture (e.g. leet speak, memes, Youtube unboxing videos, glitch art, cyberbullying) that also has a distinct local or regional characteristic. Trace its history and using a notable artefact(s), explain how this digital culture may be of significance to designers.

I chose this question because I am quite interested in the selfie culture that is so popular nowadays. The advancement of smartphone enables many people from all over the world to take selfies so there must be some distinct local or regional characteristics that I can compare. The most important (and challenging) part in this topic is to relate how this selfie culture may be significant to designers, or in other words, whether designers should be sensitive about selfie culture.

I shall break down my research into domains as below:
1) What is selfie?
2) The history of selfie.
3) What are the characteristics of selfie among different countries/ culture/ generation?
4) Why should designers be sensitive about selfie culture?